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Hagia Sophia |
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Hagia Sophia (hä`jə sōfē`ə, hā`jēə,) [Gr.,=Holy Wisdom] or Santa Sophia, Turkish Aya Sofia, originally a Christian church at Constantinople (now Istanbul), later a mosque, and now converted into a museum.
ArchitectureHagia Sophia is the supreme masterpiece of Byzantine architecture. Its spacious nave is covered by a lofty central dome carried on pendentives pendentive, in architecture, a constructive device permitting the placing of a circular dome over a square room or an elliptical dome over a rectangular room. At the east end of the nave is the vaulted sanctuary apse and at the west end a great narthex or vestibule, beyond which an exonarthex opens to the forecourt, or atrium. Flanking the nave to the north and south are side aisles with galleries over them. Their massive vaults, carried at both levels by monolithic columns of green and white marble and purple porphyry, serve as buttresses to receive the thrust of the great dome and its supporting arches. The vast interior is thus wholly free of suggestion of ponderous load, and its effect is that of a weightless golden shell that seems to possess a miraculous inherent stability. In this one structural organism the Roman methods of construction are epitomized, modified and enriched by new aesthetic theories and realized in strikingly colorful materials and ornamental techniques. These materials and techniques are often considered Eastern, but they are in fact the logical outgrowth of trends already apparent in Roman imperial buildings of the first three centuries A.D. All interior surfaces are sheathed with polychrome marbles and gold mosaic, encrusted upon the brick core of the structure; most of the magnificent figure mosaics have been cleaned and restored to view. Externally, the broad, smooth surfaces of stuccoed walls and the great unconcealed masses of vaults and domes pile up impressively. Hagia Sophia served as model for several of the great Turkish mosques of Constantinople. HistoryHagia Sophia stands on the site of an earlier basilican church erected by Constantius II in 360, some 30 years after Byzantium had become the capital of the Roman Empire. This church was burned in 404 and rebuilt by Theodosius II in 415, only to be again destroyed by fire in 532. The present structure, which is entirely fireproof, was built in 532–37 by Emperor Justinian from designs of his imperial architects Anthemius of Tralles Anthemius of Tralles (ănthē`mēəs, trăl`ēz), fl. 6th cent., Greek architect, engineer, and mathematician. With the Turkish conquest of Constantinople in 1453, Hagia Sophia became a mosque, and in subsequent years all the interior figure mosaics were obscured under coatings of plaster and painted ornament; most of the Christian symbols elsewhere were obliterated. The four slender minarets, which rise so strikingly at the outer corners of the structure, were added singly and at different times; the crescent supplanted the cross on the summit of the dome, and the altar and the pulpit were replaced by the customary Muslim furnishings. BibliographySee H. Kahler, Hagia Sophia (tr. 1967). Hagia Sophia(Greek: “Holy Wisdom”) Church in Istanbul, later a mosque and now a museum. It is the masterpiece of Byzantine architecture. Designed under Justinian I by Anthemius of Tralles and Isidorus of Miletus, the original building was completed in less than six years (AD 532–37). It combined a longitudinal basilica and a centralized building in a wholly original manner, with a huge main dome (rebuilt 563) supported on pendentives and semidomes on either side. In plan it is almost square. There are three aisles separated by columns with galleries above and great marble piers rising up to support the dome. The walls above the galleries, as well as the base of the dome, are pierced by windows, whose light obscures the supports, giving the impression that the canopy floats on air. Hagia Sophia supreme achievement of Byzantine architecture, noted for its great size and rising succession of domes. [Turkish Arch.: NCE, 1172] See : Wonders, Architectural |
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She describes how both Michelangelo and Leonardo were courted by the ruling sultan Beyazid II and points out the similarities between the Hagia Sophia and Bramante's centralised design for St Peter's with hemispherical domes and two towers. Justinian's architects claimed they outdid Solomon's Temple when they erected Hagia Sophia in Constantinople. His many church portraits include a mosaic in Hagia Sophia (illustrated above). |
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