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Soyer

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Soyer, three brothers, American painters, emigrated with their family from Russia in 1912. Two were twins,

Raphael Soyer, 1899–1987, and

Moses Soyer, 1899–1974, b. Borisoglebsk. They settled in New York City making its inhabitants the chief subject of their paintings. They concentrated on the depiction of the natural attitudes, thoughts, and gestures of individuals in the performance of habitual tasks. Raphael's subdued, realistic style expresses an intimate sympathy for people, as in Office Workers (Whitney Mus., New York City) or in his portraits, e.g., Mina (Metropolitan Mus.). Moses' figures are usually presented in higher-keyed color or sharper contrasts of black and white, as in The Old Worker (Phillips Memorial Gall., Washington, D.C.). Their younger brother,

Isaac Soyer, 1907–81, b. Borisoglebsk, also specialized in everyday figure scenes. His Employment Agency (Whitney Mus., New York City) reveals the social realities of the depression years. The Soyers' concern with people and their environment places them within the tradition of American realism established by Winslow Homer Homer, Winslow, 1836–1910, American landscape, marine, and genre painter. Homer was born in Boston, where he later worked as a lithographer and illustrator.
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, Thomas Eakins Eakins, Thomas (ā`kĭnz), 1844–1916, American painter, photographer, and sculptor, b.
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, and the Eight Eight, the, group of American artists in New York City, formed in 1908 to exhibit paintings. They were men of widely different tendencies, held together mainly by their common opposition to academism.
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Bibliography

See R. Soyer's memoirs, Self-Revealment (1969); biography by L. Goodrich (1972); S. Cole, Jr., ed., Fifty Years of Printmaking (1967); biography of Moses Soyer by B. Smith and C. Willard (1944).


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As the immortal Alexis Soyer can make more delicious soup for a half-penny than an ignorant cook can concoct with pounds of vegetables and meat, so a skilful artist will make a few simple and pleasing phrases go farther than ever so much substantial benefit-stock in the hands of a mere bungler.
 
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