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Weegee

   Also found in: Wikipedia, Hutchinson 0.04 sec.
Weegee (Arthur Fellig), 1899–1968, American photojournalist, b. Zolochiv, Ukraine (then in Austria-Hungary) as Asher Fellig. His family immigrated (1910) to New York City, where he soon quit school, held various photography-related jobs, and worked for Acme Newspictures (later part of United Press International) until 1935. For the next decade he freelanced, selling photos mainly to New York tabloids. About 1938 he adopted the name Weegee, supposedly a phonetic version of the name of the Ouija board, in tribute to his seemingly clairvoyant ability to arrive where and when news was breaking (he monitored the police radio). With his big flash-popping Speed Graphic, the cigar-chomping photographer became a fixture of the New York night. Drawn to the grotesque and illicit, he created contrasty black-and-white shots of grisly crime scenes, fires, and car crashes and of New Yorkers at pleasure spots and grim scenes. He became known to a larger audience with his 1945 bestseller Naked City. Weegee later worked as a Hollywood movie consultant (1947–52), experimented with portraits shot with distorting lenses, and made three short films (1948, c.1950, and 1965).

Bibliography

See his autobiography, Weegee on Weegee (1961); his other collections, Weegee's People (1946, repr. 1985), Naked Hollywood (1953, repr. 1975), Weegee's New York Photographs, 1935–1960 (1984, repr. 2000), and The Village (1989); J. Coplans, ed., Weegee: Naked New York (1997); A. Talmey, ed., Weegee (1997); M. Barth et al., Weegee's World (1997), and K. W. Purcell, Weegee: Arthur Fellig (2004).


Weegee See Felling, Arthur.


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2) Bettie Page, Playboy's January 1955 playmate of the month, sunbathes in a country lane in this 1950s photograph by Weegee.
Hine, Weegee, and Diane Arbus), but they are also decidedly about the present and his privileged position as a native son.
Reinforcing the choreographic images of ogling, prying, and peeping are projected photographs by Weegee (Arthur Fellig), whose camera's eye focused on attentive crowds.
 
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