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chinoiserie |
Also found in: Dictionary/thesaurus, Wikipedia, Hutchinson | 0.04 sec. |
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chinoiserie (shēnwäzrē`), decorative work produced under the influence of Chinese art, applied particularly to the more fanciful and extravagant manifestations. Intimations of Eastern art reached Europe in the Middle Ages in the porcelains brought by returning travelers. Eastern trade was maintained during the intervening centuries, and the East India trading companies of the 17th and 18th cent. imported Chinese lacquers and porcelains. Dutch ceramics quickly showed the influence of Chinese blue-and-white porcelains. In the middle of the 18th cent. the enthusiasm for Chinese objects affected practically every decorative art applied to interiors, furniture, tapestries, and bibelots and supplied artisans with fanciful motifs of scenery, human figures, pagodas, intricate lattices, and exotic birds and flowers. In France the Louis XV style gave especial opportunities to chinoiserie, as it blended well with the established rococo rococo (rəkō`kō, rō–) ..... Click the link for more information. . Whole rooms, such as those at Chantilly, were painted with compositions in chinoiserie, and Watteau and other artists brought consummate craftsmanship to the style. Thomas Chippendale, the chief exponent in England, produced a unique and decorative type of furniture. The craze early reached the American colonies. Chinese objects, particularly fine wallpapers, played an important role in the adornment of rooms, and especially in Philadelphia the style had a pronounced effect upon design. BibliographySee study by H. Honour (1961). chinoiserieFanciful European interpretations of Chinese styles in the design of interiors, furniture, pottery, textiles, and gardens. The expansion of trade with East Asia produced a lively vogue for Chinese fashions in the 17th–18th centuries. The most outstanding chinoiserie interior was the Trianon de Porcelaine (1670–71), built for Louis XIV at Versailles. The style featured lavish gilding and lacquering, the use of blue and white (as in delftware), asymmetrical forms, unorthodox perspective, and Asian motifs. In the 19th century, the fashion gave way to Turkish and other styles considered exotic. How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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| There are treasures behind these locked doors, brocades, old jewels, unframed pictures, bronzes, chinoiseries, Japoneries. |
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