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neoexpressionism

   Also found in: Dictionary/thesaurus, Wikipedia, Hutchinson 0.03 sec.
neoexpressionism, term given to an international art movement, mainly in painting, that began in the 1960s and 1970s, was a dominant mode in the 1980s, and has continued into the 1990s. A reaction against what was seen as the stark and sterile character of minimalism minimalism, schools of contemporary art and music, with their origins in the 1960s, that have emphasized simplicity and objectivity.

Minimalism in the Visual Arts


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 and other purely abstract movements, neoexpressionism stresses aggressive, personal, and often brutally distorted figural imagery, slashing brushstrokes, strong color contrasts, and an emphasis on conveying spontaneous feeling rather than formal concepts. Paintings are often extremely large and sometimes include collage elements, frequently rough or broken. Neoexpressionism has its roots in early 20th-century German expressionism expressionism, term used to describe works of art and literature in which the representation of reality is distorted to communicate an inner vision. The expressionist transforms nature rather than imitates it.
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 and the abstract expressionism abstract expressionism, movement of abstract painting that emerged in New York City during the mid-1940s and attained singular prominence in American art in the following decade; also called action painting and the New York school.
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 of the 1950s. The contemporary movement also arose in Germany, beginning in the late 1960s and early 70s in the work of such artists as Georg Baselitz Baselitz, Georg (gāôrkh` bä`zəlĭts'), 1938–, German artist, b. Deutschbaselitz, Germany, as Hans-Georg Dern.
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, A. R. Penck, and Anselm Kiefer. Other artists who soon began to paint in a neoexpressionist style include the Italians Sandro Chia, Francesco Clemente, and Enzo Cucchi and the Americans Julian Schnabel Schnabel, Julian (shnä`bəl), 1951–, American artist, b. Brooklyn, N.Y. He studied art at the Univ.
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, David Salle Salle, David, 1952–, American painter, b. Norman, Okla. One of the artists whose reputation reached its peak during the 1980s, he studied at the California Institute of the Arts (1970–75) and settled in New York City in 1975.
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, and Susan Rothenberg.

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In the late '70s and '80s, he participated, along with Kippenberger, Oehlen, and others, in a post-Beuysian micromovement against an all-too-easy German neoexpressionism.
Although neoexpressionism is the prevailing aesthetic in European contemporary dance, the philosophy of SEAD is based on that of Cunningham and John Cage: abstract movement carries its own message.
This year's programs began with a successful evening entitled "Antwerp--New York" that juxtaposed the Balanchine style of American choreographer Christopher d'Amboise, whose work was being shown for the first time in Europe, against the neoexpressionism of the company's resident choreographer, Antwerp's own Danny Rosseel.
 
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